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Zeiss Supreme Speed T1.5 Set (PL) | $1000/DAY or $250/lens

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the set (25, 29, 35, 50, 85 100) cover full frame and even bigger sensors with an image circle of 46.2 mm. The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.

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LEICA SUMMILUX-C T1.4 Set (PL) | $1650/DAY or $300/lens

The highly distinguished result of superb engineering and manufacturing techniques, the Leica Summilux-C prime lenses with a range of matched focal lengths of 16, 21, 29, 40, 50, 75 , all with a consistent maximum aperture of T1.4. With features such as a generous image circle, color matching, uniform dimensions and gear position, identical focus scale spacing from 6' to infinity, the Summilux-C prime lenses are the jewel of any motion picture production.


ZEISS CZ.2 70-200MM T/2.9 (I) ZOOM (PL/EF) | $225/DAY

4K+ Zeiss Compact Zoom CZ.2 is as versatile as it is powerful and incorporates features never before seen on a lens of this kind. The Zeiss Compact Zoom CZ.2 70-200mm T2.9 weighs 6.17 lbs, a front diameter of 95mm and a close focus of 5'.


ZEISS CZ.2 28-80MM T/2.9 (I)ZOOM (PL/EF) | $225/DAY

4K+ Zeiss Compact Zoom CZ.2 is as versatile as it is powerful and incorporates features never before seen on a lens of this kind. The Zeiss Compact Zoom CZ.2 28-80mm T2.9 weighs 5.5 lbs, a front diameter of 95mm and a close focus of 2'8".

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The Zeiss OTUS prime lenses are built to resolve 8K resolution, and are a perfect fit for the modern high-end video production. The OTUS primes from Zeiss feature the most advanced optics which provide unrelenting sharpness and highly corrected image quality. The set consists of an ultra fast 28mm, 55mm, and 85mm. Each lens opens up to a f/1.4. If your project requires the absolute highest image quality, the OTUS primes are a perfect choice.

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This Sigma Kit of Five T1.5 FF High-Speed Prime Lenses assembles 20, 24, 35, 50, and 85mm focal lengths in a hard-shell case. Use this wide range of primes to capture high-resolution, 8K-suitable images with your EF-mounted full frame camera. The cine-oriented style of these primes feature clickless apertures, geared focus and iris rings, and dual focus scales marked in feet. Standardized color reproduction, common 95mm front diameters, and similar physical attributes across the line of lenses enable smooth switching between focal lengths.

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Canon EF Cinema Prime Lenses designed for service in the cinema industry, while providing image coverage for a full-frame sized sensor. The set consists of an ultra wide 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, and 135mm T2.2. Each features an 11-bladed iris and a consistent form factor. The lenses are designed to deliver edge-to-edge sharpness and brightness, and to provide a cinematic image, even when using a 4K camera.

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LAOWA 24MM f/14 Probe Lens (EF) | $100/DAY

Described as "weird but genius," the Canon EF-mount Laowa 24mm f/14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.

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The Tokina Cinema Vista 16-28mm II T3.0  is a wide-angle zoom lens that covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. Featuring a parfocal design and a T3.0 aperture throughout its zoom range, the lens holds focus throughout the zoom range and does not ramp exposure as you get to the extremes of the zoom range. The lens design also reduces the breathing and image shift sometimes encountered while zooming and focusing. It uses aspherical elements and super-low dispersion glass in its optical design for optimal color correction and minimal distortion. Comes with either PL or EF mount and focus scales marked in feet.



The Cinema AT-X 100mm T2.9 Macro Lens from Tokina is a true 35mm, full-frame, 1:1 macro close-up lens that fits EF mount cameras. The lens's optical design is 4K-ready, super sharp, high contrast, and exhibits very low distortion and chromatic aberrations. Focus breathing is very well controlled, and the lens has a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. The wide T-stop range, from T2.9 to T32, allows for maximum control of exposure and depth-of-field, which is critical when working very close to your subject. The lens achieves maximum magnification at a working distance of 11.8". This allows enough space for lighting, the camera operator, and the subject to work comfortably.

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  • 18-35mm f/1.8 DC HSM Full Frame (EF)

  • 50-100mm f/1.8 DC HSM APS-C (EF)

  • 150-600mm Sport f/5.0 (I) Zoom (EF)

Sigma's Art line; well-suited to creative image making due to its large, constant f/1.8 maximum aperture and ability to produce aesthetic bokeh by way of a nine-blade circular diaphragm. The range of focal lengths it covers, from wide-angle to normal-length, is nicely situated for everyday and artistic shooting applications.

The Sigma 18-35mm f/1.8 DC HSM Art Lens for Canon is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture 35mm-equivalent focal length range of 28.8-56mm. Four aspherical elements in its construction, as well as five Special Low Dispersion (SLD) glass elements help minimize various aberrations and distortions throughout the zoom range, as well as provide greater image sharpness and clarity. A Super Multi-Layer Coating has also been applied to lens elements to reduce surface reflections, lens flare, and ghosting, to produce images with higher contrast and color fidelity.

Canon EF Lens/Full Frame Hyper Sonic Motor AF System with Optical Stabilizer and accelerometer. Minimum focus is 102.4". Splash and dust proof mount. Zoom lock and manual override switches. Shoots beautifully on the RED Helium at 8K. Includes lens hood and rotatable tripod collar.

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  • 16-35mm (III) EF - F/2.8 Wide Zoom

  • 16-35mm (III) EF - F/4 Wide Zoom

  • 24-70mm (II) EF - F/2.8 Zoom

  • 70-200mm (II) EF - F/2.8 Long Zoom

  • 8-15mm EF - f/4L USM Lens

  • 100mm EF -  f/2.8 Macro USM Prime

Marked by the tell-tale red band around the barrel of each lens, Canon’s professional L-series is renowned for its exceptional mastery of mechanical and optical design. These lenses are tough, many with rubber weather seals in place to prevent contamination from dust, dirt, or moisture. Superior optics make for an overall faster, sharper lens that simply outperforms many outside of the L series.