Camera Support

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The MōVI Pro motorized gimbal stabilizer itself steadies cameras weighing up to 15 pounds, rendering it compatible with mirrorless cameras all the way up to smaller cinema cameras. With the included batteries, the camera and essential accessories can be powered without adding any bulk to the MōVI Pro.

By offering a unified design, the MōVI Ring Pro lets the camera operator grip the attached MōVI Pro from nearly any angle. For dual-operator configurations, the MIMIC syncs with the MōVI Pro, allowing one operator to control the camera movements while a second operator moves the camera rig itself. The MIMIC has Bluetooth and 2.4GHz radios built-in for device and accessory communication.

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The Bush Pilot is a compact knob that quick releases to the MIMIC. It gives users the ability to control Focus, Iris, or Zoom on MōVI Pro. Users can quickly change between axis of control via the MIMIC screen. 

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The MōVI Controller has redefined Dual Operator Mode for the MōVI. Control of pan, tilt, and roll has never been more intuitive and with the ability to tune and adjust your MōVI's parameters on the fly: the Controller will change the way you use the MōVI on set.

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MOVI M10 | $150/DAY

The MōVI M10 3-Axis Motorized Gimbal Stabilizer from Freefly is a camera stabilization system that uses three motors and an IMU (inertial measurement unit) to detect and counteract unwanted movement along three axes: pan, tilt, and roll.

  • For Camera Systems Up to 12 lbs
  • Ideal for Travel
  • Toad Male Adapter
  • Optional Ring Handle 
  • Includes Batteries (x4) 
  • includes Charger
Easy Rig


The Easyrig Cinema 3 500N is a body-worn support system for camera operators working with camera rigs weighing 24 to 28.5 lbs. The system works by using a suspension line to support the weight of the gimbal rig, taking the load off of your shoulders, neck, and arm muscles, and distributing it across your torso. This lets you shoot for longer periods of time without worrying about arm fatigue.  

The Serene is a two axis spring arm that attaches at the end of the Easyrig arm. It stabilizes vibrations and motion errors on the vertical axis that comes from walking or running with the rig. It also stabilizes side to side errors in the same scenarios by counter pivoting around it’s center axis. 

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Hand wheels are no longer bound to techno cranes and high-end commercials. The Alpha Wheels bring precision framing to every set, even virtual ones. Bring precision and flexibility to your gimbal with the Alpha Wheels.

The Alpha Link S.Bus XR is the first all-digital wireless transmitter designed specifically to connect wheels to gimbals. It dramatically simplifies wheel setup for Ronin, MōVI and Tilta users.

With Brass Wheels, high inertia and precise movements become the name of the game. Brass wheels are more than 3x as heavy as aluminum and use pure physics to smooth your shots.

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The Second Shooter is a revolutionary motion control system that boasts a sleek and compact design, feature-rich operation and an incredibly intuitive user interface. Featuring 100% repeatable motion control for live-mode, looping, time-lapse and stop-motion applications. This system controls Pan, Tilt and Slide with one easy to use controller. 

Unlike stepper motor based moco systems on the market today, Second Shooter receives feedback communication from digital-encoded motors in determining motor positions to ensure precise control. Second Shooter provides users with ultra-smooth and quiet motion control, making it an outstanding companion on any job. Paired with the Shuttle Pod Mini Slider, your video production will be ready for time-lapses and motion control shooting.

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O'CONNOR 1030D | $75/DAY

100mm Bowl CF Legs 30lb Payload

The industry-standard 100mm ball base fluid head by the legendary OConnor. 12" pan handle, 30-degree bend, 11.5" pan handle extension, 60-degree tilt, carbon fiber 2-stage legs,and 53 lb payload.


OCONNOR 2560 | $100/DAY

Mitchell Mount CF Legs 89lb Payload

The cinema-grade motion picture standard by the legendary OConnor. Features a stepless pan and tilt drag fluid for ultra-smooth moves and a one-handed platform release lever for quick camera balance adjustments and mounting. The controls and a soft hand-rest are conveniently placed on the left for the operator's use. Includes 2-stage carbon fiber legs and a 2 piece handle.

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The FSB 8 is the strongest 75-mm solution from Sachtler and therefore the perfect partner for larger camcorders, smaller film set-ups and DSLR set-ups.



 2-Stage 4x5.6" Matte Box

Accommodates lenses designed for full-sized sensors as wide as 18mm. 2 filter stages that accept either 4x4" or 4x5.65" filter trays and the rear stage rotates a full 360 degrees.  Available brackets for 15mm & 19mm rods. Adapter rings allow you to use this as a clip-on mattebox.


3-Stage 4x5.65 Matte Box

Misfit is designed to be ultra compact and lightweight, yet has the field of view to cover wide lenses. Combining adjustable lightweight flags with 2-stage to 3-stage flexibility, Misfit retains the simplicity of a clamp-on matte box, and adds a range of innovative features. 114mm or 143mm sizes available.

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 2-Stage 4x5.6" Clip-On Matte Box

Accommodates lenses designed for full-sized sensors as wide as 18mm. 2 filter stages that accept either 4x4" or 4x5.65" filter trays and the rear stage rotates a full 360 degrees.  Available brackets for 15mm & 19mm rods. Adapter rings allow you to use this as a clip-on mattebox.

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The SHAPE Telescopic Rosette Handles are left and right handgrips that can be attached to standard ARRI rosettes. Each arm features three points of articulation, combined with the approximately 2-3 inches of arm extension allows you to adjust the arms for your comfort. The spring-loaded locking levers allow you to easily adjust the angle of your grip.

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The OConnor O-Grips Double Jointed Set are configured to create double handles for custom applications, and can be used for payloads up to 44 lb (20kg). A titanium core based construction provides rigidity and stability for camera mounted operations. The O-Grips bridge supports the 15mm and 19mm Studio and 15mm LWS standard rod systems.

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  • ND .6, .9, 1.2, 1.5, 1.8, 2.1

The design of this filter has been optimized for use with digital sensors and to promote nearly flat attenuation of visible and infrared light. Due to imaging sensors' greater susceptibility to infrared light, compared to traditional film, color casts can occur when photographing darker subjects that require increased exposure times. To provide a high level of neutrality across the visible and infrared spectrums in order to eliminate color casts and ensure cleaner, truer blacks when using the NiSi 4 x 5.65" Nano IRND Filter, one layer of NiSi Optical Nano Coating is applied to each of this filter's surfaces.

NiSi 4 x 5.65" Nano IRND Filters are constructed from optical glass for clarity as well as color fidelity, and measures 4mm thick.

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  • HBM 1/2, 1/4, 1/8

The Schneider 4 x 5.65" Hollywood Black Magic Filter Set can be applied to purposely reduce the appearance of blemishes and wrinkles. This can be useful for creating a more flattering result of a subject while highlight as well as mid-tone contrast is softened and glare is reduced. Additionally, a glowing effect around highlights is created which can further enhance a subject's appearance or produce a desired effect while overall sharpness is maintained.


The Tiffen Multi Rota Tray (MRT) is a geared rotating tray that allows the use and rotation of a 138mm Circular Polarizer and Variable ND in a 4×5.650 tray and is ideal for matte boxes without a rotating filter stage or for those instances where a secondary rotating filter stage is required in a non-rotating stage.The Tiffen Multi Rota Tray can be used as a Polarizer, a Variable ND, or as a Cool/Warm Filter.



The Rouge Underwater Housing is perfect for taking the RED cameras underwater for your film and video productions. It provides access to all important RED camera functions via 14 electronic push-button controls on dual Amphibi-grip handles and a menu panel. With both hands on the ergonomic grips, you can enjoy easy access to Record, White Balance, Shutter Speed, ISO, Aperture, and more. The housing is constructed from durable, corrosion-resistant marine-grade aluminum, which is anodized, painted and clear-coated for extra protection against seawater. To ensure you are notified of a breach in time to protect your camera against damage, a water sensor alarm is present on the housing.

4 auxiliary port holes accept HDMI and HD-SDI outputs, enabling you to view video playback on an optional external monitor. These specialty cables are available upon request. 



Capture video over, under, or near the water's surface with your RED digital cinema camera, thanks to this A-RED Underwater Housing from Ewa-Marine. This enclosure has a depth rating of 32.8' and uses a corrosion-resistant clamping rail seal to keep your valuable investment safe and dry. Easy access to all camera controls is provided right through the clear double-laminated PVC body, which also features a dedicated slot for the 9" RED touch LCD monitor and space for a 153Wh RED BRICK battery.

The housing has an integrated, optically neutral, flat glass lens port, which accommodates lenses with a maximum length of 7.1", a maximum diameter of 4.2", and a maximum filter thread diameter of 95mm. The supplied adapter ring mounts onto a lens with a 95mm filter thread, fixing the front element of the lens to the interior of the port to hold it securely in place. Additionally, 77-82mm and 82-95mm step-up rings are included. The housing is delivered in a black carrying case with a waterproof interior.

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The ikan PT3100 is a through-the-glass teleprompter that is large enough for studio applications, while still retaining enough portability to be utilized on location. With a 15 LCD, VGA/HDMI AC-powered monitor, the PT3100 offers a large viewing surface along with the same features of the ikan PT3000. A host of new features can be found on the PT3100, all of which have been implemented to provide more practical solutions for your through-the-glass applications. 

Don't hassle with a teleprompter kit that positions your camera off the mark. With the PT3100s provided camera lift and the simple twist of a wheel, you can lift your camera into a perfect center position for the best through-the-glass application experience possible.

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The D600 Block Battery is a dual voltage battery designed for cinematic or lighting production applications where two different voltages are required simultaneously; or for applications requiring voltage regulation to less than 28 volts. The D600 provides a 560 watt hour capacity with regulated outputs of ~ 24 volts and nominal outputs @ 14.4 volts simultaneously.

This package includes two D600 Block Batteries, and a quick charger (3.5 hr charge), which is perfect for powering both of your cameras while charging the spare battery.